Essay on hiv aids | College Essays
730 words essay on World Aids day
48.3 Special Issue: Delany Lately. Essays on AIDS and Delanyian Discourse; Blackness, Queerness, and Utopianism; Delany, Anxiety, and Queer Futurity; The Politics of Technology and Difference; Queer Resistance; Science, Art, and Poetics; Sex, Class, and Homelessness; Strategies of Transgression; Times Squares of the Text; and Tragicomics. Afterword by Samuel R. Delany. Poetry and Fiction by Cyrus Cassells and Magali Roy-Fequiere.
essay on AIDS and Business Essay
Douglas Crimp, who arrived in New York at the end of the 1960s and worked initially at the Guggenheim Museum and as an assistant to legendary fashion designer Charles James, is undoubtedly one of the influential American intellectuals of our day. Alongside his occassional but significant curatorial projects, and his work as critic (Art News, Art Forum) and editor (October), Crimp has written some of the central texts on museological questions and theories of postmodernism (e.g. On the Museum's Ruins, 1993). He was one of the most critical and persistent voices during the AIDS crisis and arguably the one whose theoretical insights most shaped the development of activist and artistic practices, even beyond the confines of queer and AIDS politics (e.g. AIDS Demo Graphics, 1990; Melancholia and Moralism: Essays on AIDS and Queer Politics, 2004). Moreover, Crimp's writing on AIDS cultural practices directly influenced the development of the scholarly field of queer studies (AIDS: Cultural Analysis, Cultural Activism, 1988; How Do I Look? Queer Film and Video, 1991). More recently, he has continued to attract international attention though his lectures and essays on contemporary dance and on the artistic practices that emerged in the New York Underground scene of the 1960s, mainly the work of Jack Smith, Ronald Tavel and Andy Warhol (e.g. 'Our Kind of Movie': The Films of Andy Warhol, 2012)