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[Footnote 2: From a MS. Note-book of Addison's, met with in 1858, Mr. J. Dykes Campbell printed at Glasgow, in 1864, 250 copies of some portions of the first draught of these papers on Imagination with the Essay on Jealousy (No. 176) and that on Fame (No. 255). The MS. was an old calf bound 8vo volume obtained from a dealer. There were about 31 pages written on one side of each leaf in a beautiful print-like hand, which contained the Essays in their first state. Passages were added by Addison in his ordinary handwriting upon the blank pages opposite to this carefully-written text, and there are pieces in a third hand-writing which neither the keeper of the MSS. Department of the British Museum nor the Librarian of the Bodleian could identify. The insertions in this third hand form part of the paper as finally published. Thus in the paper on Jealousy (No. 171) it wrote the English verse translation added to the quotation from Horace's Ode I. xiii. The MS. shows with how much care Addison revised and corrected the first draught of his papers, especially where, as in the series of eleven upon Imagination here commenced, he meant to put out all his strength. In Blair's Rhetoric four Lectures (20-23) are given to a critical Examination of the Style of Mr. Addison in Nos. 411, 412, 413, and 414 of the Spectator. Akenside's poem on the Pleasures of the Imagination, published in 1744, when he was 23 years old, was suggested by these papers. Many disquisitions upon Taste were written towards the close of the last century. They formed a new province in literature, of which Addison here appears as the founder and first lawgiver.]


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Four things characterize this essay on jealousy. (1) An incredible amount of outside reading, from Doris Lessing, to Melanie Klein, to great chunks of Freud, to something by Leslie Farber with the snappy title, "Lying, Despair, Jealousy, Envy, Sex, Suicide, Drugs and the Good Life." All this, in a sense, can be called scholarship, or might be, if it were put to better use. (2) Incessant dumb questioning. "Are you jealous?" Nancy Friday asks everyone, people she meets at parties, her hairdresser, and a particularly infuriating "friend" of hers called Robertiello. (3) A "low" set of friends, or what one's mother might label "bad companions," typified by this same Robertiello (talking about his professional life as an analyst): "When one of my ex-wives walked in on me that time I was literally making it on that couch in the waiting room, she went for the woman. She tried to kill the other woman." And also (talking about his fantasies) ". . . me being an African chief, she's the missionary's daughter and I . . . make her into my sexual slave. By devaluing her, I keep the power." Robertiello, what a guy! And he's Nancy Friday's philosophical mentor here, who, she repeatedly assures us, is "wonderful." (4) Physical complaint. By page 46, Friday's having trouble with her back; by 187 she reports "red hot pain shoots down my leg as I try to walk, sending me screaming to the telephone," and by the end we're to understand that she's developed a chronic limp from this endeavor, which is, after all, just supposed to be a book on jealousy!